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Raphael and members of his workshop, among them Giulio Romano, Gianfrancesco Penni, Vincenzo Tamagni, Perin del Vaga and Polidoro da Caravaggio, executed the cycle of the Bible stories in a loggia on the second floor of the Palazzi Pontifici in Vatican. The episodes were painted in the ceiling vaults, within differently shaped frames. The fresco Isaac and Rebecca Spied upon by Abimelech in 1518-1519 is a part of these Bible episodes. Rembrandt van Rijn based his drawing Isaac and Rebecca on a 1607 etching by Italian artist Sisto Badolocchio which itself derives from this ceiling fresco which was created in High Renaissance style.

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A fresco The School of Athens Italian Renaissance artist Raphael painted between 1509 and 1511 as a part of his commission Pope Julius II to decorate the rooms now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican. It is located in the first of the four rooms designed by Raphael, the Stanza della Segnatura which was set to be Julius' library. In particular, this fresco has come to symbolize the marriage of art, philosophy, and science that was a hallmark of the Italian Renaissance.

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The painting The Apotheosis of Homer was expressly commissioned by Charles X for the ceiling at the Louvre which is now the ancient Egyptian galleries. Upon receiving the commission, Jean-Auguste-Dominique Ingres conceived the idea for his painting quickly and he had required only an hour to establish the broad outlines of his composition in a sketch. He developed his idea in more than 100 drawings and numerous painted sketches for it that survive. His grandest expression of the classical ideal, this nearly seventeen-foot long canvas reworks Raphael's Vatican fresco, The School of Athens from 1509-1511. Apotheosis of Homer was exhibited in 1827 in the annual Salon and is now exhibited at the Louvre.

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