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ARTNIT

Many eighteenth-century artists, French Rococo painter Jean-Honoré Fragonard among them, sought ways to depict artistic inspiration. The painting Inspiration, from 1769, in popular Rococo style, differs from many of his other paintings, especially the portraits painted during his early years, in that it is warmer and more longing than the others. This portrait, likely of Louis François Prault, a publisher in Paris, is one of a series that is now known as the Fantasy Figures. The painting Inspiration is today in the Louvre Museum in Paris.

With the end of his brush he pointed to a study of the nude, suspended from the wall near the door. It was really magnificent, full of masterly breadth of colouring. By its side were some other admirable bits, a girl’s feet exquisite in their delicate truthfulness, and a woman’s trunk with quivering satin-like skin. In his rare moments of content he felt proud of those few studies, the only ones which satisfied him, which, as it were, foretold a great painter, admirably gifted, but hampered by sudden and inexplicable fits of impotency.

Nedelja, 12 Septembar 2021 11:04

Émile Zola and Impressionists

Famous French writer Émile Zola was a close friend of many young Impressionists artists during the early stages of his career. He spent much time with them in the cafes and bars of Paris, visited them in their studios, watched them in work, and, when needed, posed for them. Also further organized evening gatherings at his large country home from 1866 onwards. By 1868, as the critic and novelist, Émile Zola wrote in defense of the young Impressionists. In appreciation for Zola's support, Édouard Manet devoted a portrait to the writer in 1868, one of his most beautiful ever painted.

By 1874 the group of younger artists called the Anonymous Society of Painters, Sculptors, Printmakers that would become known as the Impressionists had been trying to achieve recognition by submitting their works to the annual Salon (exhibition) held by the Academy des Beaux-Arts for over a decade in an old studio that belonged to the famous photographer Nadar. Its founding members included Claude Monet, Alfred Sisley, Edgar Degas, Pierre-Auguste Renoir, Berthe Morisot and Camille Pissarro, among others. But the exhibition was a bit of a bust although 3,500 people came, most attended to sneer and scoff at the works on display. Art critics did not take it seriously, and the newspaper critics were remarkably hostile.

Nedelja, 05 Septembar 2021 11:10

Impressionism: Bright and joyful painting

Impressionism is an artistic direction that emerged in French painting between 1860 and 1870 as a reaction to realism. It was set in motion with Claude Monet's painting Impression, Sunrise. This painting was first shown alongside over two hundred works by thirty artists, including Edgar Degas, Camille Pissaro, Pierre-Auguste Renoir, and Alfred Sisley at what would become known as the Exhibition of the Impressionists in Paris in April 1874. However, of all of the pieces displayed there, Impression, Sunrise became the most famous due to the criticism it attracted, which gave rise to the name of the Impressionism movement.

In 1872, Claude Monet visited Le Havre, his hometown. During this holiday, he completed a series of six paintings featuring the harbor at Le Havre "during dawn, day, dusk, and dark and from varying viewpoints, some from the water itself and others from a hotel room looking down over the harbor." Impression: Sunrise resonated more strongly than other works in this series. Two years after completing this painting, Monet exhibited it in the First Impressionist Exhibition, an independent show hosted by Paris' avant-garde artists. Despite its hostile contemporary reception, the painting sold instantly and was later gifted to the Musée Marmottan in Paris where it currently resides.

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