Artnit

By 1874 the group of younger artists called the Anonymous Society of Painters, Sculptors, Printmakers that would become known as the Impressionists had been trying to achieve recognition by submitting their works to the annual Salon (exhibition) held by the Academy des Beaux-Arts for over a decade in an old studio that belonged to the famous photographer Nadar. Its founding members included Claude Monet, Alfred Sisley, Edgar Degas, Pierre-Auguste Renoir, Berthe Morisot and Camille Pissarro, among others. But the exhibition was a bit of a bust although 3,500 people came, most attended to sneer and scoff at the works on display. Art critics did not take it seriously, and the newspaper critics were remarkably hostile.

Impressionism is an artistic direction that emerged in French painting between 1860 and 1870 as a reaction to realism. It was set in motion with Claude Monet's painting Impression, Sunrise. This painting was first shown alongside over two hundred works by thirty artists, including Edgar Degas, Camille Pissaro, Pierre-Auguste Renoir, and Alfred Sisley at what would become known as the Exhibition of the Impressionists in Paris in April 1874. However, of all of the pieces displayed there, Impression, Sunrise became the most famous due to the criticism it attracted, which gave rise to the name of the Impressionism movement.

In 1872, Claude Monet visited Le Havre, his hometown. During this holiday, he completed a series of six paintings featuring the harbor at Le Havre "during dawn, day, dusk, and dark and from varying viewpoints, some from the water itself and others from a hotel room looking down over the harbor." Impression: Sunrise resonated more strongly than other works in this series. Two years after completing this painting, Monet exhibited it in the First Impressionist Exhibition, an independent show hosted by Paris' avant-garde artists. Despite its hostile contemporary reception, the painting sold instantly and was later gifted to the Musée Marmottan in Paris where it currently resides.

The very individual style of the German-Swiss painter Paul Klee was influenced by movements in art that included expressionism, cubism, and surrealism. His artworks are often full of allusions to dreams, music, poetry. Burg und Sonne was the original title of his 1928 painting, which translates directly as Castle and Sun, capturing the main focal points of this painting. Whilst conforming to abstraction, it could be argued that Castle and Sun fits into any or all of Expressionism, Cubism, and Surrealism. Klee himself produced several of these intricate tiled scenes and this artwork becomes amongst the most reproduced of all his artworks. Today, this painting is in a private collection.